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In the villa was purchased from the Orsini by Archduchess Maria Maddalena of Austria , wife of the future Grand Duke Cosimo II , and was completely rebuilt between and to the design of the architect Giulio Parigi. Please help improve this article by adding citations to reliable sources. During its long history, it has often been at the centre of Italy's turbulent history, and has been rebuilt and redesigned many times. Each of two floors with a low mezzanine above are the same height as the central pedimented block, which is given extra prominence by raised parapet behind the pediment. However, in Italy, outside Milan these new ideals were often more pronounced and more severe than in northern Europe. The new King of Italy , Victor Emmanuel II , with many palaces at his disposal and an obligation to travel across Italy in the interests of the unification, had little need for a second large palace, such as Villa del Poggio Imperiale, in such close proximity to the Palazzo Pitti. Inside the Villa, Parigi restructured the old central courtyard and the rooms of the grand-ducal apartment, which were frescoed by Matteo Rosselli and his pupils. The facade is severe and plain, the only variation and ornament being the five-bayed projecting central block. Florence was for once the birthplace of a new architectural form, and the facades of the Villa del Poggio Imperiale are austere even by the standards of Italian neoclassicism. House of Medici. In January , the school's use of the villa was formalized in an official government announcement that granted the school free use of the state-owned property in perpetuity. Between and , the courtyard and its surrounding loggias were further re-designed by the architect Giovanni Battista Foggini. Charles Emanuel lived here for just a month from 17 January The present monumental principal facade was created in for the newly elevated Grand Duchess of Tuscany, Elisa Bonaparte. A series of large salons were decorated with plaster work in the classical styles. Here, four cloister-like corridors illuminated by segmental windows provide abundant light. With the extensive redesign and renovation in the eighteenth century, many of the original chapels in the Villa were lost. Unsourced material may be challenged and removed. Paoletti added the two flanking inner courtyards to the central courtyard, and also designed the rear facade and the great ballroom on the piano nobile. The unwanted and, by now, fairly neglected villa, now in the ownership of the state, became an exclusive girls' boarding school, the Istituto Statale della Ss. This was achieved with an expanded floor plan, lengthening the facades and elevations. Its original home in the "Via della Scala" in the centre of the city was required for government offices, so in a simple exchange was made. Great Synagogue. Neoclassicism was a style which evolved as a contrasting reaction to the more ornate Baroque and Rococo styles which preceded it. In the estate was acquired by Ferdinand II and his wife Vittoria Della Rovere , who had the Villa further enlarged and embellished with marbles and intarsia. The Medicis' finances had deteriorated since the time of Cosimo the Elder , and the Grand Duke's decision to close what few branches remained of the Medici Bank at this time meant that the people of Tuscany were forced to pay increased taxes to finance the building projects. Poccianti extended this effort of complete neoclassical transformation of the facade to include a rusticated five-bay portico flanked by a theater and a chapel. The interior of the villa was decorated to the Grand Duchess' requirements by the artist Matteo Rosselli. With the return of the House of Lorraine in , the previously designed chapel and guard house were at last built, and a number of rooms were embellished by the painters Domenico Nani and Giorgio Angiolini. From Wikipedia, the free encyclopedia. It was not a trend to make pastiches of classical designs but a force creating a new form of architecture based on simple but rational forms with clear and ordered plans. The facade was completed under the eventual ownership of Napoleon's sister Elisa Baciocchi , then the Grand Duchess of Tuscany, who hired the architect Giuseppe Cacialli to freely adapt the completion of Poccianti's original plans. Later given to Napoleon 's sister, it was reclaimed by the hereditary rulers of Tuscany before being finally converted to a prestigious girls' school. Many Chinese paintings, probably from the same source as those of the Villa, were given by Leopold II of Austria to his sister Maria Caroline , who became Queen consort, and de facto ruler, of Naples and Sicily. The Villa was always a secondary home for Tuscany's ruling families, favoured during spring and autumn. A further period of enhancement took place when the villa passed to the Grand Duchess Vittoria della Rovere who created the ground-floor rooms situated at the crest of the inner courtyard designed by Giacinto Maria Marmi. The Grand Duchess immediately commissioned the building's "restoration, enlargement, and embellishment. The Grand Duke, although later appointed a constitutional head of the republic, was forced to abdicate. The principal facade, however, was not to be transformed until ownership of the villa passed to Maria Louisa of Bourbon, the Queen of Etruria, who in assigned the project to the architect Pasquale Poccianti. The villa was doubled in size with a large corps de logis flanked by two canted lower wings. This was an important step in the unification of Italy Risorgimento which was to follow shortly. Between , the architect Gaspare Paoletti , during the third and final renovation of the villa, accomplished the definitive restructuring of the villa to twice its previous size. These probably came from a collection that was in the villa from about Today, only about twenty are displayed, with their repair and reconditioning being underway in an ongoing restoration project, which will eventually recreate their original layout. The school has occupied the building ever since. Extra wings were created and various secondary facades were redesigned in the neoclassical style; only the principal facade remained unaltered. The free adaptation by Cacialli allowed him to supplement the original piano nobile with luminous peristyle including stuccowork and wall paintings. On 5 March , Tuscany voted in a referendum to join the Kingdom of Sardinia. Murphy Orsini also had murdered his mistress' husband; Murphy ff. This article needs additional citations for verification. Beginning as a villa of the Baroncelli of Florence, it was seized by the Medici, became the home of a homicidal and unfaithful husband, and a lavish retreat for a Grand Duchess with imperial pretensions. The original plan of the Poggio Imperiale bears little resemblance to the present day neoclassical layout. Milan became the centre of Italy's neoclassical architecture. The work was prolonged over 15 years and included much stucco and plaster work to the interior. At this favoured retreat Isabella held her stylish and intellectual court. From the political history of Florence and Tuscany became troubled. The school had been founded under the patronage of Leopold II and his wife, Maria Anna of Saxony in to provide education for the daughters of the Florentine nobility. Murphy, Murder of a Medici Princess f. Alessandro "The Moor" Cosimo I. The only remaining part of the original 15th-century Villa di Poggio Baroncelli is the small courtyard. Conveniently close to the court, which resided at the Palazzo Pitti , and surrounded by an estate of 17 farms, it was a rural retreat from the city. The redesign preserved the pre-existing eighteenth century decorations and embellishments which included statues of the Virtues in separate niches, as well as stucco friezes depicting biblical scenes on the walls and ceiling dome in tempura depicting the Assumption of the Virgin by Francesco Ninci. Today, only the Chapel of the Annunciation remains which the architect Giuseppe Cacialli included as part of the neoclassical renovation. Belvedere Fortezza da Basso. In , Florence became for a brief period the capital of a united Italy. The building work was very costly, as was the near simultaneous work at the Palazzo Pitti. On the first floor is a glazed loggia , also of five bays. However it was to be under the successors to the Medici, the House of Habsburg-Lorraine that the Villa was to reach its zenith. Caterina Maria.{/INSERTKEYS}{/PARAGRAPH} Tourism in Florence. The Palazzo Pitti became the Italian royal palace. The chapel, frescoed by Francesco Curradi , remained unaltered from the 17th century. Districts of Florence Trams in Florence. In one of the adjacent "Chinese" wings, are four rooms decorated with circa Chinese hand-crafted wallpaper, which came from Canton workshops, specialized for export, and represented the important influence of the chinoiserie style then being experienced throughout Europe. This change of ownership was to mark the beginning of a slow transformation from provincial country manor to grand, imperial villa. {PARAGRAPH}{INSERTKEYS}Villa del Poggio Imperiale English: Villa of the Imperial Hill is a predominantly neoclassical former grand ducal villa in Arcetri , just to the south of Florence in Tuscany, central Italy. The severities of the exterior of the Villa were compensated for by the exuberance of the interior. On the first floor, one of the most prominent additions to the villa was the development of the Salone delle feste , built between and , and decorated with embellished stucco reliefs which are predominantly white in color. Via Cavour Via de' Tornabuoni. The commission was granted to the architect Giulio Parigi , who between and , introduced a more ornate Baroque style, and the later version of Baroque, Rococo. This block of only two floors crowned by a low pediment is flanked by two symmetrical wings of even greater severity. These longer facades were in the late 18th century deprived of their Baroque ornament to create the chaste austere neoclassical architecture seen at the villa today. Pietro embellished the property, and added Andrea del Sarto 's Assumption of the Virgin to the villa's chapel. However, it was always only one of several villas and palaces available to the Grand Ducal family, and its popularity and use waxed and waned. The corridors are adorned with antique busts placed on ledges and niches constructed in the eighteenth century. This was embellished with the notable stuccowork by Giocondo and Grato Albertolli. The design of the chapel is divided into three naves with a semicircular tribune. A portion of these painting were taken by her to Palermo where they remain today in the Royal Palace and Palazzina Cinese. This block has a rusticated ground floor pierced by five arches leading to the inner courtyard. This, the smallest of the Villa's three courtyards, is sited immediately though the main entrance. The extensive history of the relation of these exceptional holdings together with their cross-listing and shared use with the Uffizi Gallery in Florence, along with the art holdings identified with the Villa in general, has yet to be completely studied as a separate subject of the relation between the Villa and the Uffizi Gallery. It had been a bloodless overthrow and the family left with "respectful farewell greetings of the people. The remarkable wealth of the works of art and opulent reliquary of priestly use held in the chapel have been expertly cataloged and documented in the short volume by Brigida D'Avanzo in Italian titled: "Oggetti di arte sacra alla Villa del Poggio Imperiale Firenze" in Giovannino" of the sixteenth century attributed to the school of Puligo. Leopold II , the last ruling Grand Duke, was replaced by a republican constitution. Originally, the building was a country manor house belonging to the Baroncelli family; this passed to the Pandolfini family, and eventually in it was sold to the Grand Duchess Maria Maddelena of Austria. However, the documented history begins in the 15th century when a small villa on the site known as "Villa del Poggio Baroncelli", was built by the Florentine merchant Jacopo Baroncelli [1] The villa was sold to Bartoncelliu's creditor in , and in turn to Pietro Salviati in The Salviati were an ancient Florentine noble family.